Benigni is a superb comedian, a do-it-himself practitioner, skilfully concocts lewd yet never graphically offensive sex-related slapstick in this larger-than-life scenario, individually, each skit is authentically rib-tickling, the opening one which causes the false impression for the entire film, is that Loris confuses a middle-age woman Claudia (Pieri Palombi) for a nymphomaniac, and predictably his overt seduction turns into sexual harassment.
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Benigni simply developed the story, wrote the screenplay, produced, directed and made a leading role, as a matter of fact the monster should be himself in this near masterpiece sex comedy, Benigni build carefully every single scene to fit altogether as perfect he could be conceived, to beginning to the end, well-crafted storyline which follow his own dynamics, creating new facts on non stopping laughing, there no hiatus in this chain of events, whatever were the way everything getting worst ever to him, his funny face expression, unusual body language and his poor dressing style spread sympathies and a natural affection on so amusing lead character, supported by unmatched casting who came stronger to add too much, that explain the worldwide success, even having a sexual appealing, it never fall on mass grave of the sex exploitation or nudity, although many people found it nasty or bad taste, the vast majority disagreed, a movie of millions, from a true Italian genius!!! Resume: First watch: 1997 / How many: 3 / Source: TV-DVD / Rating: 8.5īefore ascending to his insurmountable zenith with LIFE IS BEAUTIFUL (1997, 8/10), Roberto Benigni's THE MONSTER is a winsome farce about an innocent layabout Loris (Benigni) is wrongly identified as a serial women-slaughterer at large, in order to catch him red-handed, the police force assigns a young policewoman Jessica (Braschi) to go to great lengths to entice him into the irrepressible perpetration (ultimately, a red riding hood costume), therefore, a spate of funny sketches ensure while Loris' resistance is ultra-impenetrable.